[Intro]
Em
< 0 2 2 0 0 0 >
 
 
D
< 2 0 0 2 3 2 >
 
Em
< 0 2 2 0 0 0 >
 
 
D
< 2 0 0 2 3 2 >
 
 
A
< 0 0 2 2 2 0 >
 
Em
< 0 2 2 0 0 0 >
 
 
D
< 2 0 0 2 3 2 >
 
A
< 0 0 2 2 2 0 >
 
 
Bm
< 2 2 4 4 3 2 >
 

[Verse 1]
Em
< 0 2 2 0 0 0 >
 
                    
D
< 2 0 0 2 3 2 >
 
  I think it's strange  when people say
Em
< 0 2 2 0 0 0 >
 
                          
D
< 2 0 0 2 3 2 >
 
               
A
< 0 0 2 2 2 0 >
 
  You're the next big thing,  you'll never fade
Em
< 0 2 2 0 0 0 >
 
                    
D
< 2 0 0 2 3 2 >
 
  The slightest touch,  forced to fold
A
< 0 0 2 2 2 0 >
 
                     
Bm
< 2 2 4 4 3 2 >
 
  Sleight of the hand,  modern gold

[Pre-chorus]
Em
< 0 2 2 0 0 0 >
 
             
D
< 2 0 0 2 3 2 >
 
         
Em
< 0 2 2 0 0 0 >
 
  Starry-eyed child left behind
D
< 2 0 0 2 3 2 >
 
            
A
< 0 0 2 2 2 0 >
 
        
Em
< 0 2 2 0 0 0 >
 
Choose your favorite vice
D
< 2 0 0 2 3 2 >
 
                                  
A
< 0 0 2 2 2 0 >
 
     
Bm
< 2 2 4 4 3 2 >
 
I don't have the strength to play nice

[Chorus]
G5
< undefined >
 
              
Em
< 0 2 2 0 0 0 >
 
        
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
Hide me in the back room, tell me when it's over
       
Bm
< 2 2 4 4 3 2 >
 
                      
A
< 0 0 2 2 2 0 >
 
Don't know if I can play this part much longer
G5
< undefined >
 
             
Em
< 0 2 2 0 0 0 >
 
         
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
I'll be in the back room, tell me when it's over
      
Bm
< 2 2 4 4 3 2 >
 
                      
A
< 0 0 2 2 2 0 >
 
Don't know if I can play this part much longer
G5
< undefined >
 
  
Em
< 0 2 2 0 0 0 >
 
      
A
< 0 0 2 2 2 0 >
 
       
F#m
< 2 4 4 2 2 2 >
 
   
Bm
< 2 2 4 4 3 2 >
 
       
A
< 0 0 2 2 2 0 >
 
I-I-I don't know if it is right to live this way, yeah
G5
< undefined >
 
             
Em
< 0 2 2 0 0 0 >
 
         
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
I'll be in the back room, tell me when it's over
Bm
< 2 2 4 4 3 2 >
 
People always say, "Man, at least you're on the radio”

[Interlude]
Em
< 0 2 2 0 0 0 >
 
       
D
< 2 0 0 2 3 2 >
 
     At least you’re on the radio
Em
< 0 2 2 0 0 0 >
 
       
D
< 2 0 0 2 3 2 >
 
                  
A
< 0 0 2 2 2 0 >
 
     At least you’re on the radio
Em
< 0 2 2 0 0 0 >
 
       
D
< 2 0 0 2 3 2 >
 
                         
A
< 0 0 2 2 2 0 >
 
   
Bm
< 2 2 4 4 3 2 >
 
     At least you’re on the radio

[Verse 2]
Em
< 0 2 2 0 0 0 >
 
                
D
< 2 0 0 2 3 2 >
 
  Close your eyes,  don't be afraid
Em
< 0 2 2 0 0 0 >
 
                   
D
< 2 0 0 2 3 2 >
 
        
A
< 0 0 2 2 2 0 >
 
  Take some of these,  they'll ease the pain
Em
< 0 2 2 0 0 0 >
 
                     
D
< 2 0 0 2 3 2 >
 
  Live fast, die young,  pay the price
A
< 0 0 2 2 2 0 >
 
                  
Bm
< 2 2 4 4 3 2 >
 
The best die young,  immortalized


[Pre-chorus]
Em
< 0 2 2 0 0 0 >
 
             
D
< 2 0 0 2 3 2 >
 
              
Em
< 0 2 2 0 0 0 >
 
   Starry-eyed children left behind
    
D
< 2 0 0 2 3 2 >
 
            
A
< 0 0 2 2 2 0 >
 
       
Em
< 0 2 2 0 0 0 >
 
To choose their favorite vice
D
< 2 0 0 2 3 2 >
 
                                  
A
< 0 0 2 2 2 0 >
 
      
Bm
< 2 2 4 4 3 2 >
 
I don't have the strength to think twice

[Chorus]
G5
< undefined >
 
              
Em
< 0 2 2 0 0 0 >
 
        
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
Hide me in the back room, tell me when it's over
       
Bm
< 2 2 4 4 3 2 >
 
                      
A
< 0 0 2 2 2 0 >
 
Don't know if I can play this part much longer
G5
< undefined >
 
             
Em
< 0 2 2 0 0 0 >
 
         
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
I'll be in the back room, tell me when it's over
      
Bm
< 2 2 4 4 3 2 >
 
                      
A
< 0 0 2 2 2 0 >
 
Don't know if I can play this part much longer
G5
< undefined >
 
  
Em
< 0 2 2 0 0 0 >
 
      
A
< 0 0 2 2 2 0 >
 
       
F#m
< 2 4 4 2 2 2 >
 
   
Bm
< 2 2 4 4 3 2 >
 
       
A
< 0 0 2 2 2 0 >
 
I-I-I don't know if it is right to live this way, yeah
G5
< undefined >
 
             
Em
< 0 2 2 0 0 0 >
 
         
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
I'll be in the back room, tell me when it's over
Bm
< 2 2 4 4 3 2 >
 
                          
A
< 0 0 2 2 2 0 >
 
People always say, "Man, at least you're on the radio”

[Interlude]
Em
< 0 2 2 0 0 0 >
 
       
D
< 2 0 0 2 3 2 >
 
     At least you’re on the radio
Em
< 0 2 2 0 0 0 >
 
       
D
< 2 0 0 2 3 2 >
 
                  
A
< 0 0 2 2 2 0 >
 
     At least you’re on the radio
Em
< 0 2 2 0 0 0 >
 
  
D
< 2 0 0 2 3 2 >
 
Em
< 0 2 2 0 0 0 >
 
  
D
< 2 0 0 2 3 2 >
 
   
A
< 0 0 2 2 2 0 >
 
Em
< 0 2 2 0 0 0 >
 
  
D
< 2 0 0 2 3 2 >
 
A
< 0 0 2 2 2 0 >
 
   
Bm
< 2 2 4 4 3 2 >
 
Em
< 0 2 2 0 0 0 >
 
  
D
< 2 0 0 2 3 2 >
 
Em
< 0 2 2 0 0 0 >
 
  
D
< 2 0 0 2 3 2 >
 
   
A
< 0 0 2 2 2 0 >
 
Em
< 0 2 2 0 0 0 >
 
  
D
< 2 0 0 2 3 2 >
 
A
< 0 0 2 2 2 0 >
 
   
Bm
< 2 2 4 4 3 2 >
 

[Chorus]
G5
< undefined >
 
              
Em
< 0 2 2 0 0 0 >
 
        
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
Hide me in the back room, tell me when it's over
       
Bm
< 2 2 4 4 3 2 >
 
                      
A
< 0 0 2 2 2 0 >
 
Don't know if I can play this part much longer
G5
< undefined >
 
             
Em
< 0 2 2 0 0 0 >
 
         
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
I'll be in the back room, tell me when it's over
      
Bm
< 2 2 4 4 3 2 >
 
                      
A
< 0 0 2 2 2 0 >
 
Don't know if I can play this part much longer
G5
< undefined >
 
  
Em
< 0 2 2 0 0 0 >
 
      
A
< 0 0 2 2 2 0 >
 
       
F#m
< 2 4 4 2 2 2 >
 
   
Bm
< 2 2 4 4 3 2 >
 
       
A
< 0 0 2 2 2 0 >
 
I-I-I don't know if it is right to live this way, yeah
G5
< undefined >
 
             
Em
< 0 2 2 0 0 0 >
 
         
A
< 0 0 2 2 2 0 >
 
                 
F#m
< 2 4 4 2 2 2 >
 
I'll be in the back room, tell me when it's over
Bm
< 2 2 4 4 3 2 >
 
                          
A
< 0 0 2 2 2 0 >
 
                   
F#m
< 2 4 4 2 2 2 >
 
People always say, "Man, at least you're on the radio”
N.
C
< 0 3 2 0 1 0 >
 
.
“At least you’re on the radio-ho”